Saturday 6.8

04.04 a.m.! – Exact location to be announced (admission free)
Lilit Grigoryan – Piano

Four past Four: Sunrise Concert – Works by Frederic Mompou (1893–1987)

Lilit Grigoryan, an Armenian pianist who has studied and worked with Maria João Pires, is dedicated as no other to the music of the late impressionistic Catalonian composer Frederic Mompou (1893-1987). Her recording of the four volumes of Mompou’s “Musica Callada” miniatures from the 1960s has attracted much attention and praise. She has agreed to the festival experiment of performing these iridescent works outdoors, at sunrise – sharing space and time with the waterfowl of the Elbe River Valley.
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2.02 p.m. – VERDO in the garden area (admission free)
Two past Two: Audience Academy, Photoflash with Hannah Weirich, Elisabeth Kufferath and Oliver Wille
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3.03 p.m. – VERDO Concert Hall, Double Concert Part One
Hannah Weirich – Violin
Ulrich Löffler – Keyboards
Tickets online

Three past Three: Back to the Future

Johann Sebastian Bach (1685–1750): Sonate für Violine und Tasteninstrument E-Dur BWV 1016 (Violine und Hohner Clavinet)
Rebecca Saunders (*1967)/Enno Poppe (*1969): Duo für Violine und Klavier (2021/2022, Erstaufführung)
Atac Sezer (*1979): DJ Silver Top (2021/2022) für Violine, Fender Rhodes Piano, Synthesizer und Vocoder (Uraufführung), Kompositionsauftrag gefördert durch die Ernst von Siemens Musikstiftung
Milica Djordjevic (*1984): Fail again (2022) für E-Geige und Yamaha Combo-Orgel YC45d, Kompositionsauftrag gefördert durch die Ernst von Siemens Musikstiftung

„Back to the Future” is a concert series for premieres, supported by the Northrhine-Westfalia Arts Foundation, the Ernst von Siemens Music Foundation and the Musikfonds e.V. with project funding by the German Federal Commission for Culture and Media.

“Back to the Future” is a concert project that takes the adventurous violinist Hannah Weirich (Ensemble Musikfabrik) and Ulrich Löffler, a pianist who doesn’t restrict himself to the classical grand piano, from Bach til today. Older works suddenly sound amazingly new, and new creations surprisingly historical. The sonata for violin and piano composed together (!) by Enno Poppe and Rebecca Saunders is just as extraordinary. Separated in space and time as they were, the two reacted to each other’s creations, in dialogue with chamber music classics by Mozart, Schumann, Brahms and more.


5.05 p.m. – VERDO Concert Hall, Double Concert Part Two
Elisabeth Kufferath – Violin, Viola
Tickets online

Five past Five: TWO

Johann Sebastian Bach (1685–1750): Allemanda aus der Partita Nr. 2 in d-moll, BWV 1004
Bernd Alois Zimmermann (1918–1970): Sonate für Violine (1951), Praeludium – Rhapsodie – Toccata
Johannes Xaver Schachtner (*1985 ): Epitaph für Violine solo (2007)
Johann Sebastian Bach: double der Sarabanda aus der Partita Nr. 1 in h-Moll, BWV 1002
Johannes Xaver Schachtner: Patheia. Epilog für Viola solo (2015/17) komponiert für Elisabeth Kufferath
Peter Eötvös (*1944): A Call für Violine (2015)
György Kurtág (*1926): Für Eberhard Feltz 80 für Violine solo, Uraufführung der revidierten Fassung
Peter Eötvös: Adventures of the Dominant Seventh Chord für Viola solo, Uraufführung der Version für Viola
Johann Sebastian Bach: Sarabanda aus der Suite Nr. 2 in d-moll, BWV 1008 für Cello (Viola)
Bernd Alois Zimmermann: Sonate für Viola solo (1955), "… an den Gesang eines Engels”

In the second part of the double concert, the violinist and violist Elisabeth Kufferath, a member of the Tetzlaff Quartet, switches between her two instruments, their voices resounding in a uniquely individual manner. Space and time play a role, in the well-suited VERDO Concert Hall.
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8.08 p.m. – VERDO Concert Hall
Harriet Krijgh – Cello
Baiba Skride – Violin
Lauma Skride – Piano
Tickets online

Eight Past Eight

Dmitri Schostakowitsch (1906–1975): 5 Stücke für 2 Violinen und Klavier arrangiert für Violine, Violoncello und Klavier
I. Präludium. Moderato
II. Gavotte. Tranquillo molto leggiero
III. Elegie. Andantino
IV. Walzer. Tempo di Valse
V. Polka. Vivace

Pjotr Iljitsch Tschaikowski (1840–1893): Trio a-Moll für Klavier, Violine und Violoncello, op. 50, A la mémoire d’un grande artiste (1881/82)
I. Pezzo elegiaco (Moderato assai – Allegro giusto)
II. A. Tema con variazioni. Tema: Andante con moto:
Var I
Var II: Più mosso
Var III: Allegro moderato
Var IV: L'istesso tempo (Allegro moderato)
Var V: L'istesso tempo
Var VI: Tempo di Valse
Var VII: Allegro moderato
Var VIII: Fuga (Allegro moderato)
Var IX: Andante flebile, ma non tanto
Var X: Tempo di mazurka
Var XI: Moderato
Variazioni finale e coda: Allegro risoluto e con fuoco
Coda: Andante con moto – Lugubre (L'istesso tempo)

The Dutch cellist Harriet Krijgh is celebrated for both her effervescence and her sense of sound. The Deutsche Grammophone’s exclusive artist proved her affinity for chamber music by following Eckart Runge in 2019 to become a member of the Artemis Quartet. In addition, Harriet Krijgh works closely with the pianist Magda Amara and in this evening’s trio with the Skrida sisters Baiba and Lauma. Duration approx. 70 minutes, no interval

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